Contemporary Conversations
“What drew me in was the idea of longevity — that this art had withstood the test of time and was still relevant now,” says Graham, who double majored in art history and creative writing. “The courses I took and the brilliant people I studied with really fueled my desire to continue tumbling down the rabbit hole.”
It’s a hefty job that interweaves two of Graham’s biggest loves: art preservation and community building.
“The art of today isn’t simply paper, paint and clay — it’s bubble- gum, plastic and digital software too. These materials pose difficult questions in the realm of conservation,” she says. “A lot of those questions don’t have clear answers, which is why creating spaces for artists, curators and conservators to engage deeply in conversation is so useful.
“I especially love working directly with artists,” Graham adds. “It’s great to raise up the voices of those who are using their boundless creativity to influence future generations and create a more complete picture of who we are as humans and what we’re capable of.”